Find your own photography style, don’t follow social networking trends!

Not long ago, there was no other way to take pictures, unless you owned a camera. Now, when photography becomes easier and more popular, it is time for amateur to professional photographers to think seriously and shape themselves 2 words: style.

Beyond the social network standard rules
With the emergence of Instagram, Facebook, Twitter and other social networking sites, we began to see and share more and more images. It is not easy to stand out among this huge global crowd.
So how to create a unique photographic style different from what it was? There is no other way than to face it, most of them are very similar and boring. There are too many pictures of pets, twilight, selfie, children, food, food and food.

Most successful photographers focus on a certain style. This may take years to develop. Dedication and experience are the keys to gaining a look and feel for photography, which will be your only style. Mastering any form of creative expression will not be easy if you do not spend time practicing.

Step out of the safe area and embark on a new land
You need to be ready to step out of your comfort zone. Don’t just take pictures with the same thing in the same way that you feel comfortable and safe. Push yourself to work with the camera the way you never tried before. Step out and capture the subjects you want to capture even if you are not strong enough to do so. Remember, you will never know what you discover without trying something very different.

Do not give up easily. Waiting will not take you anywhere if you have not shown some standards or commitment to create photos that you are really happy with.

My story
When I was young, I was very shy. I love photography but I can never take pictures for myself. My sister encouraged me. She told me that my photos were great but it was really missing if there were no human appearances. Think about how you can express this through your photography. Do you see someone who can do it? Why do you feel a certain way about the objects you are shooting? No one else will feel that way.

Connect the topic to your feelings, whether it’s a person, a pet, a landscape or lunch. If you do this often, you will create a stronger, unique image than when you just want to take a snapshot.

Beyond the capabilities of a camera
When you try to develop your own style of photography, try not to focus too much on the device. If you just focus all your attention on the camera, you will be hard to connect with the subject and will create less vivid images. There is no technique to make your image truly “accurate”, because the product will be a fairly cheap thing if you have no connection with the subject.

Camera Setting for Sports Photography

The most important thing for sports photography and action is speed. Let’s explore the camera settings guide for sports photography, which helps you capture sharp, detailed and full of interesting photos.

Use a fast shutter speed

Shutter speed is the most important factor for taking action shots. If the shutter speed is not set up quickly, you will only be able to capture blurry, disappointing photos with no way of editing. First, set the Shutter Priority mode and select shutter speed of 1/500 sec. This setting is a good starting point and fast enough for sports and action photography. If the image is blurry, adjust the shutter speed even further. It can be up to 1/100 seconds for speed sports like motor racing.

Open aperture

To achieve the required high shutter speed, you will have to open the aperture very wide. If you have a very fast lens, you will be able to reduce the maximum aperture to 1 stop or more. Wide aperture helps capture enough light and blur the background. However, if you are using a normal lens with a maximum aperture less than f / 5.6, you will need to open the lens as wide as possible to get the most amount of light. This is especially true when you take photos indoors because the amount of light may not be much. Another benefit of using a wide aperture is that it helps to create a shallow depth of field for the image. The details can be distracting in the background, which in turn directs attention to the player to create a more dramatic and dramatic picture.

Increase ISO index

Since you are using fast shutter speed, your camera may be very difficult to expose the scene accurately, even with a full aperture. Then, the only thing you can do is increase the ISO speed.

Adjust to continuous shooting mode

Action and sports have a lot of moves and very fast to catch up. Using continuous shooting mode gives you more opportunities to capture a beautiful picture.

Focus

Focusing on fast moving objects will be very troublesome, so it is important to set up the camera so that it responds as quickly and accurately as possible. Adjust focus mode to maintain perfect clarity even for fast-moving subjects.

Winning Photo of the $120,000 HIPA Prize Controversy

The fact that the photographer has set it up instead of looking for a natural moment has caused much controversy.

At the HIPA award, the winning photo of Malaysian photographer Edwin Ong Wee Kee generated mixed opinions because it was staged. According to Picsofasia, this raises the issue of “industrial” photographers capturing arranged scenes then submitting them to contests with the hope of winning and being famous.

Etienne, the founder of Picsofasia, said the beautiful photo taken in Vietnam has spread widely, but its backstage has surprised many people. During a photo tour, the group of more than 10 travel photographers gathered around the only subject – the woman and the child – shooting at almost the same angle. The woman seems to be used to posing as well.

If you learn about travel and photography, you can confirm that this is not the right way to capture people. The story is more attractive when one has submitted to HIPA and won the prize. On the contest website, the photo is described as the emotion of a Vietnamese mother with a language disorder but still optimistic to transmit strength to her son. However, after looking behind the scenes, many people quipped that perhaps it should be changed into the feeling of a Vietnamese mother when disturbed by rude people. The face of the mother evokes a real sense of discomfort.

There won’t be much discussion about the photographer’s quality and image processing skills because it’s too good. The problem lies behind that. After this award-winning work, it is likely that other people also want to travel to the northern mountains of Vietnam, looking for a poor-looking woman who is hugging the baby, shooting, blurring the background and using the work that goes to the exam.

Common photo contests are now primarily for commercial purposes instead of photography alone. It is mostly not marked by a team of judges who are really knowledgeable about travel and photography. The result is a high award that is often given to a boring moment, usually a copy of the idea of ​​the previously taken work. A professional travel photographer will know that but these competitions are not.

Camera captures in the best low light conditions

Working in low light conditions depends on many factors such as the lens being used, the shutter speed and, most importantly, the noise reduction capability of the camera. The latest sensor technology such as CMOS BSI sensor is an advantage. Low light extends the shutter speed so to get the image you want, you can increase the ISO speed to reduce exposure time, stabilize images or choose the fastest speed lens you have.

Here are the cameras that can meet your needs:

Sony Alpha A7S Mark II: As a model of the “dark monster” model, this Sony model uses a full-frame 12-megapixel CMOS sensor. With ISO: ISO50 to ISO409,600 (Native ISO100 to ISO102, 400) along with image stabilization makes it easier to work with it.

– Also another name from Sony, Sony Alpha A7R II camera uses 42.4 megapixel Full CMOS sensor; with ISO range extending to ISO50 and ISO102400; With 5-axis image stabilization capability, it offers high-performance work in low light conditions.

Sony Alpha A9 is a camera that breaks the limits of the camera when equipped with the most advanced and unique technologies. With the use of the Full-Frame Exmor RS 24.2 MP CMOS sensor stacked, ISO 100-51.200 range with mechanical shutter (and expandable to 50-204,800), ISO 100 range -25,600 with electronic shutter. Besides, it is equipped with 5-axis anti-vibration technology that will help you work better.

Nikon’s latest DSLR model is an indispensable option in this article. Nikon D850 uses 45.7mp Full-Frame CMOS sensor with ISO range: ISO64-ISO25600, with scalability up to ISO32-ISO102400. As a model that is highly appreciated by top photographers, this is a top choice for you.

Nikon D5 is Nikon’s leading high-speed professional digital SLR camera with an ISO speed of up to 3.2 million and will definitely deliver the best performance for professional photographers. This is a model of high-end DSLR camera with the unique imaging capabilities that you expect, especially at ISO12800 and ISO25600.

– Also a high-end DSLR model exclusively for professional photographers, Canon EOS 1DX II uses a full-frame 20mp CMOS sensor. With ISO range from 100 to 51200, it is possible to expand up to ISO50 up to ISO409600.
Canon EOS 5D Mark IV: use full-frame CMOS sensor 30mp; ISO range: ISO50-102400 (ISO100 to ISO32000 before expansion).

Rinsing and scanning 35mm film images in labs

Have you ever taken a photo film to labs to wash and wonder, how is this process going on? In this article, we will join the ‘mysterious game’, learn every step in the process of turning a film into digital images.
The film’s ‘itinerary’ starts from the lab’s photo booth, after it has spent many days in your film camera to capture the photos you feel most proud of.
The first step is to remove the end of the film from the container with a special tool. This process is not easy, as there are many movies that will bend the end of the film in the process of filming the film into the carrying case. At this time, the inner films are still very light-sensitive, so the washing engineers will have to be careful not to take them out, and use a device called ‘mobile darkroom‘.
The film will then be inserted into the cutter to cut the end of the film into a rectangle.
After being cut, the film is glued to a special adhesive tape, which will not melt during the washing process. Normally, there will be 2 sheets of film with adhesive tape on both sides to ensure the film does not fall off during washing. The tape also has small holes to be able to hook the gyroscope to film through the coating machine in the following steps.


One of the most important thing is not to make customers’ films mistaken for each other, so engineers will add a small sticker with a separate serial number, making it easier to pay the film.
And now the film is ready for washing.
The engineer will put the face with the tape of the film on the machine, need to put the hand under the film so that they do not fall to the floor. When the film has entered the machine, we will close the cover to make sure there is no light inside.
One of the worst things that can happen during the film washing process is power outage. If the power goes out, the film will be clogged inside the machine, between chemical tanks, and we will have to manually open the phone to get them out. The Fujifilm machine that we use today has a manual film roll mechanism, so during the power wash process, the engineers can take the film safely.
Before the opening day, labs will perform a color calibration step for the device. They will print a film to test, then use a density meter to measure the color to see if it is correct, otherwise it will have to be calibrated.

Sports Photography Tips

Sports photography is one of the most difficult techniques in photography. Because actions often occur in the blink of an eye, it is very difficult to capture photos of a sports match that conveys emotions completely. However, with the sports photography tips below, you will have impressive photos.

1. Learn the rules of the game

It is important to understand the rules of the sport you intend to take pictures. The better you know your game, the better your images are. Learn the rules of the sport, the best shooting position, the type of image you need and the device to use.

2. Prepare carefully

Try to prepare not only from the shooting angle but also about your physicality. You can stand or sit, but shooting at low angles also tends to produce more impressive shots. Don’t forget to bring clothes for weather conditions. You should bring a raincoat in case it suddenly rains.

3. Change the format

The large image file takes a lot of time to process and increases the standby time before you can take the next photo. When it comes to sports photography, it is best to use compression formats like JPEG. Most compact cameras will only shoot JPEGs but DSLR cameras will probably shoot RAW.

4. Change the autofocus mode

 

To capture sharp action shots, you need to switch to autofocus mode. The camera will continuously adjust the focus when tracking a moving subject. This mode is also a predictive mode. It focuses on where it believes the object will go through. The camera will continuously adjust the focusing distance when the subject moves.

5. Do not review the photos you have taken

Many people even professional photographers make this mistake. Other sports photography is a completely different area of portrait photography or outdoor photography. In a sports match, if you take a picture and watch it again later, you may have missed a good moment.

Let’s experiment with underwater photography style

Take time to observe the behavior and don’t chase your subject. Patience will be rewarded. The underwater world is a wonderful world for you to explore. It will bring many memorable experiences, and sharing that experience through beautiful pictures is as interesting as living in the same environment! If you are confused with diving, but want to take photos underwater, or you have taken a few times and are looking for ways to get better photos, then keep reading.

Understand the behavior of light and underwater colors. Using appropriate equipment and techniques, combined with post-production processing to achieve great results. Intentional implementation Diving and underwater photography have become more popular and accessible than ever. over. Wherever we go, we all see divers taking a variety of cameras – big or small – to bring underwater photography. For those who want to start, this job may sound daunting at first, but don’t worry – here are some words to share. Like many other things in life, underwater photography is not really about equipment … but mostly YOU – device users!

Respecting aquatic life will ensure a much more wonderful experience for both you and the fish when you are photographing underwater. Diving dive First learn to dive! Floating control is a diver’s core skill, and you need to master this skill to be able to photograph underwater. You will become more stable and can keep the body position for the photo, helping to get a better picture. Most importantly, you need to avoid stirring the sand at the bottom or harming the reef. Photo enthusiasts – It will be useful if you have a basic understanding of the concept of photography such as exposure, composition and understand how water flows to light and color. Aquatic life enthusiasts – Your knowledge of aquatic life will help you find your shooting subject and predict their behavior. Studying a little before diving will definitely help you get the picture you want! Understanding the device – First, we have to understand something that is so obvious: the underwater environment is not a place Ideal for trying out a new camera system for the first time, let’s explore the terrestrial camera! Even the most basic camera on the market comes with many interesting features. Learn the camera you have on hand and explore the capabilities of the device. You don’t want to miss a great scene just because you’re trying to figure out how to set parameters!

Working at World Cup, which tools are the most popular?

If you watch a football game on TV, you can see a lot of photojournalists with big, long cameras and lenses along the borders. Do you know what the photojournalist’s tools include?

First, definitely can’t lack a camera. For sports photos, high resolution is often not preferred by shooting speed and durability, so photo reporters often use the most expensive cameras like the Canon EOS-1D or Nikon Dx series.

These cameras are designed to withstand extreme weather such as rain, snow or dust. The casing material is usually made of magnesium alloy to ensure its rigidity and strength, but still not too heavy. These are the points that photographers accept to spend over $ 5,000 for a camera.

Although the resolution is usually only around 20 MP, these cameras are equipped with full-frame sensors. Large sensor sizes provide better light reception, which is essential when speeding up shooting to freeze moments.

Large sensors also help reduce noise, which is essential when shooting evening matches. The top-of-the-line cameras are all equipped with the most modern focusing system, which helps to accurately focus in very short moments.

Besides the main camera, most photographers carry a high resolution sub-camera for the necessary situations. The Canon EOS 5D Mark IV (30.4 MP) and the Nikon D850 (45.4 MP) were all launched in 2017, and selected by many reporters.

Although Canon and Nikon dominate the sports village, the Sony Alpha A9 is gradually gaining popularity thanks to the speed of focus, quick shooting and smooth shutter. However, Sony cameras do not yet have many long-focus lenses for sports photos.

To capture the player clearly at a distance of tens of meters, reporters had to use a 400 mm focal length lens. The investment for the lens is sometimes double that of the camera: Canon EF 400mm f / 2.8L IS USM II or Nikon AF-S 400mm f / 2.8E FL ED VR are all priced at over $ 10,000.


With long focal lengths and large apertures, these lenses allow shooting at very high shutter speeds. If you need to enlarge the image further, the reporter can add a 1.4x or 2x tube.

Sony also had the first sports pipe, the FE 400mm f / 2.8 GM OSS, but the company just announced this lens at the end of June. So no reporter will bring Sony’s new lens to the World Cup. .

In addition to a 400 mm lens, reporters also often equip 70-200 mm f / 2.8 on a secondary camera, to take close-up developments. Sometimes they even use lenses with short focal lengths like 16-35 mm or 14-24 mm. Wide-angle lenses help capture the whole scene of the stadium, or use it at the end of the match when the reporter can enter the field, approaching the player to take a picture.

In addition to cameras and lenses, reporters also carry a variety of accessories. The most recognizable accessory is the tripod. The monopod is more mobile, but the three-legged type is more rugged and is often used when placing a remote camera.
Flash is also a must-have accessory. Although it cannot be used when shooting far away, there will be times when journalists will enter the field, taking players at close range.

For those who use multiple cameras, remote shooting controls are indispensable accessories. They can pre-set the device in beautiful places, like behind the goal, and press capture from the other side of the stadium when there are beautiful moments. High-end controllers cost over $ 100, but allow for use up to 500 meters away.

Supportive Tools for Photographers

No matter what kind of camera you take, in addition to your camera and lens, your pocket should have the following items.

Mini tripod

It’s always a good idea to carry a tripod all the time because it’s too cumbersome and heavy unless you know exactly what your aim will be. However, a tripod is also necessary in unexpected situations that require slow shutter speeds. Therefore, you should have a mini tripod ready to take anywhere. This product is compact, convenient and reasonably priced.

Wireless remote control

Although most cameras have built-in self-timer, the mode has many limitations. Therefore, it will be more convenient for you to bring a capture control to be fully active in conditions of image stabilization. Previous controls are usually wired, so it is quite limited in terms of distance. However, modern cameras now support wireless control. This tool enables photographers to take a selfie or hide in a hidden place and tap the remote, especially for wild photographers.

Rain cover camera

If you go for a picnic in areas or sudden rain or you intend to shoot when it rains, it is very important to bring a rain cover for the camera. If you want to use quality products, you can use waterproof bags from reputable brands. Otherwise you just need to carry a plastic bag to cover the whole camera. You can even DIY a rain cover camera simply with nylon and elastic band.

Removable flash

When taking an outdoor photo, you may rarely use your light or camera that already has a toad. However, you should bring an external flash. In addition to shooting in low light conditions, external flash becomes very useful in case of need to balance the light even in the middle of the day. For modern cameras with a removable flash feature, an extra lamp can significantly improve portraits when straight light does not highlight the subject.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Instax mini 8 Camera Under Girls Perspective

Instax mini 8 camera belongs to Fujifilm’s famous camera series right away – the manufacturer from Japan has brought many interesting experiences for users by using simple machine operation or photo printing feature in 2 seconds.

The appearance of the Instax mini 8 looks like a pink cotton candy, capturing girls right from the first encounter. If you’re wondering about a girlfriend’s gift of “forest” on holidays, maybe this Instax mini 8 will help the men score absolute marks for you.

Let’s see how the girl evaluates an Instax mini 8 – this “witch” takes this picture!

Advantages – disadvantages of Instax mini 8
It can be said that Instax mini 8 was born for lazy people. All basic photography manipulations such as lightening, focusing, etc. are not necessary for this machine. Just hold up the camera, press the shutter button and wait for about 2 seconds, you have a beautiful photo to keep your memories. It sounds very convenient because it is really convenient to capture … but to bring it back is somewhat ambiguous. Girls often wear small cross-bags when going out just to fit their wallet and phone. If you bring mini 8 Instax, you need a bigger bag. As for boys, it is more inconvenient because the guys cannot put a mini-sized camera into their pants pocket.
Image quality

A nice thing about Instax mini 8 is that the flash mode is always in the ready state. Whether you shoot outdoors where there is enough light or in a dark room, the flash still works normally to accentuate the face to the maximum. Of course not so that the photos have the same quality.Shooting where the lighting conditions are good will print photos with better quality than those with low light conditions.
The slightly haunted retro color image is also an interesting point of Instax mini 8. The color of the image brings a sense of nostalgia to the users, but not any photo editing software on smartphones. Therefore, keeping these photos has its own good, but not any photos posted on facebook can bring about similar feelings.
Instax mini 8 supports users to the utmost to produce beautiful photos even if you forget to adjust the appropriate modes.