- Think about the subject and style of the photo
Before you embark on preparing your tools, you need to think about the subject of the photo. You can tell a story “what to do today” or simply circle around the topic of food, colors, costumes … In addition, you can also use Instagram or Pinterest to refer to more about Cool topics are trending worldwide.
- Pay attention to the light
Light is always the key to the quality of a picture. Using reasonable and smart lighting will help to achieve the best flatlay photography. You can use specialized camera lights to make photos look more vibrant. Otherwise, natural light is not a bad choice either. Locations such as the side of the window, outside the balcony will bring the best light diffusion effect for flatlay photography. However, you should also pay attention to choose a time of moderate sunlight; Avoid being too harsh like noon or too weak as evening will reduce image quality.
- Select the appropriate background
The white background is the simplest and most effective background for beginners to shoot flatlay. You can use the dining table, bed or simply any flat surface covered with white sheets. This color is also particularly suitable for topics related to fashion and cosmetics; Help to increase the “luxury” of the image. You can also explore many other backgrounds depending on the theme. Note should choose the background color contrast with the subject. Avoid backgrounds that are too similar, submerging the main product in the image.
- Layout is the key
Because it is usually taken from above, flatlay images usually have two main local arrangements: neatly square or neatly arranged, random, arbitrary. You should choose an item with the largest size as the main topic; Then use other small objects to decorate around. Besides, you should also pay attention to the density between objects in the picture. Avoid getting objects too far to dilute the picture, or too close to distract the viewer.
- Discover a variety of props
Don’t be afraid to experiment, try exploring many different styles. You can use contrasting objects in color or material to create depth to the image….
Techradar website recommends top-class compact machines for those who like to move with the common point of being a compact body, good configuration.
Panasonic Lumix ZS50 has the same shape as its predecessor ZS40, the improved handle design to increase handling comfort. The front is a Leica DC Vario-Elmar lens for 30x optical zoom. The sensor in the device is 1 / 2.3 inch High Sensitivity MOS, the resolution is 12.1 “dots”.
This is said to be basic equipment but suitable for users’ travel photography needs, thanks to which the device costs just over 5 million. Users can easily order genuine products from Amazon through e-commerce platform cross-border Fado.
Canon PowerShot SX730 HS comes with many outstanding features for the needs of landscape photography to selfie like 20.3 megapixel CMOS sensor, 40x optical zoom lens, 180-degree rotating screen and skin smoothing feature when self portrait photography.
Sony Cyber-shot HX99 was launched at IFA 2018, carrying a Zeiss Vario-Sonnar T lens with a large magnification, focal length from 24-720mm. According to Sony, this is the world’s most compact camera capable of far zoom, 4K movie recording, bluetooth support.
It also has a touch screen, touch focus, and Ring Control ring at the lens mount to assign commonly used features such as manual focus or step zoom.
Panasonic Lumix ZS100 launched in 2016. At the time of launch, the tablet is the top position for travel photography needs with 1-inch image sensor, 10x zoom lens that changes the focal length from 25-250mm, the original aperture f / 2.8. The lightweight body is suitable for holding 4K video clips
The Nikon A1000 has just been launched in January 2019. The camera has a stylish, modern design, equipped with an electronic viewfinder that supports up to 35x optical zoom, equivalent to a focal range of 24-840mm, up to 1,680mm when Dynamic Fine Zoom is enabled.
Panasonic Lumix ZS200 compact thanks to integrated 1 inch image sensor inside. The device still meets the needs of the tourist with a beautiful, compact design. The Leica Vario-Elmar 24-360mm focal length lens allows users to create photos of a wide range of genres during the journey.
Sony RX100 III belongs to the high-end compact camera series of Sony’s highly successful RX series since 2012. The device weighs only 290g, the body is compact but the texture is still solid, so it is suitable for carrying on every journey of discovery. The highlight of the RX100 III is the EVF OLED electronic viewfinder, 20.1-megapixel sensor, f / 1.8-2.8 aperture for high-detail images.
The Sony RX100 IV is a worthwhile upgrade of the RX100 III. The built-in Exmor RS stack sensor helps the machine accelerate significantly, electronic shutter reaches a speed of 1 / 32,000 seconds. Especially, it can record high-quality 4K movies for up to 5 minutes and high-speed movie shooting of 250-1,000 frames per second.
Cristina was scared as the sharks swam around her, worried that they might get lost in the ocean in the Galapagos Islands.
Cristina Mittermeier, from Mexico, is a marine biologist who has spent more than 20 years taking photos of the ocean world. Cristina now has more than 1.1 million followers on Instagram, where she shares her travels from Greenland to Rwanda.
On the nearest trip to the Galapagos Islands (Ecuador), Cristina was overwhelmed by the wildlife here. “The Galapagos Islands have been an oceanographic reserve since 1998, everything is there naturally. While in other places, we have to work very hard to find fish or sea turtles.” she said.
Cristina and her boyfriend, photographer Paul Nicklen, want to dive around Wolf and Darwin, the two most remote islands of the Galapagos and as small as two grains of sand in the ocean. The waters here are quite dangerous for diving, with large waves.
The day Cristina and Paul went scuba diving, the sea was raging with waves crashing onto the rocky shore, the water bubbling white as if they were swimming in a milk tank. While swimming, Cristina suddenly turned around and saw a flock of cobia coming with open mouths. She decided to swim backwards to take pictures, but got lost among the hundreds of fish and could not find Paul when she escaped there. Cristina heard the diving instructor’s bell, but could not see anything.
With half her oxygen, Cristina decided to continue swimming. While floating, she caught a glimpse of something but was unsure whether it was a fish or not. The shapes became clearer, and she realized it was a group of hammerhead sharks.
“To be honest, I was a bit scared but thought that I was at the right place, at the right time and something wonderful was about to happen. But I was worried about how much oxygen was left, the protection cord attached to my body was still there.” How long is it, “she said.
It was also the moment that Cristina remembered that she was a photographer, and could not upload low-quality pictures with explanations. She quickly adjusted her shooting parameters and clicked the camera before the sharks swam away.
Despite owning many critically acclaimed works, Cristina herself has never set a goal of becoming a wildlife photographer, or even won award-winning masterpieces. But when a few selfies were on display at an exhibition of the Houston Museum of Natural History, Cristina began to see her own path alongside marine research.
Looking at the reaction of the visitors, she realized that not everyone has enough knowledge of science or biology like experts to discuss difficult topics. But everyone has with them photographic equipment, which makes it easier to start a story. That is why she decided to save images of the natural world on her wild adventures.
Cristina thinks the most essential skill for her job is to be able to operate comfortably underwater, as she is not allowed to drown or get lost at sea. Once you put your eye on the viewfinder, like when you take a picture of a herring, the photographer can completely forget where you are or what you do. In Cristina’s case, just a minute after taking the picture, she lost her companion.
“Underwater photography requires a lot of work on the camera: you have to think about exposure, natural light, strobe lights; and also pay attention to how not to get sunken. So you have to into a good diver before holding the device underwater, “says Cristina. She claimed she did not need too modern machines to take an artistic photo. You just need to understand and make the most of the tools available at hand.
Anybody can shoot sports activities with any camera, however as with every photography niche, there are cameras which might be better perfect for taking pictures that ideal, cut up-second shot. For sports activities photography, you’ll need a digital camera with a high most shutter pace (a great deal quicker than a thousand of a second on customer-degree virtual cameras) to truly forestall the movement, excessive body quotes (like 10 frames according to 2d) to boom your chances of catching that perfect second, and a quick autofocus system that makes use of section detection to assist keep your subject in consciousness.
Of route, these traits are just the basics which you’ll want to look for within the wi-fi wireless digicam for sports pictures. Thankfully, there are plenty of DSLR and mirrorless digicam systems that offer those—and more. take a look at out our quick but well-curated list of tremendous cameras for sports pictures.
Whether you’re an aspiring or pro sports activities photographer, these top rate fashions from the most popular camera producers will allow you to freeze and get in on the movement.
The Canon EOS 1DX Mark II is a effective imaging workhorse that works high-quality for special forms of pictures. it could no longer be the nice in terms of photograph resolution, but only as it prioritizes velocity — a whopping 14 frames in line with 2d or sixteen whilst shooting in live View mode.
Backing up the quite rapid power charge (the quickest in this listing, no less) is a sixty one-factor AF machine with improved wi-fiwireless tracking, as well as an impressive low-mild performance even at very high ISO settings. It’s virtually one of the pleasant seasoned-level DSLRs that you may locatewireless in the marketplace, whether or not you’re shooting sports activities or wildlife.
The Sony Alpha A7R II is a completely popular mirrorless digital camera that proudly capabilities a number of these days’s most advanced imaging technology. It boasts a 42.four-megapixel complete-frame (35mm) Exmor R CMOS sensor and the logo’s effective BIONZ X photo processor to produce high-decision pictures and ultra HD 4K wi-fi at 30p. It even has 399 segment detection AF factors to make certain lightning-rapid autofocus overall performance.
You might have 2D mind due to its burst mode of up to wi-fi frames in step with 2D, but with its excellent autofocus device, advanced tracking system, wireless-axis in-frame picture stabilization, and tilting touchscreen liquid crystal display, there’s a higher chance of you capturing that triumphing shot inside just a few frames.
The light-weight and compact body is also weather sealed, so you don’t should worry about journeying and taking pictures in harsh outside situations.
Canon EOS 7D Mark II
The Canon EOS 7D Mark II might also were around for a while now, however its features nevertheless make it one of the satisfactorywireless Canon cameras for sports activities. firstly, it has an APS-C sensor with a crop thing that enables you get in the direction of the movement. anything lens you operate with it, you can achieve up to 1.6x magniwi-fication in comparison to complete-body cameras.
Furthermore, the 7D Mark II can shoot up to ten full-res frames in keeping with second. You’re bound to seize tack sharp snap shots on every occasion with its 65 AF factors and twin Pixel AF machine. The battery life is also capable of lasting longer than an entire soccer or tennis recreation, so there’s no fear approximately your momentum getting interrupted.
Take time to observe the behavior and don’t chase your subject. Patience will be rewarded. The underwater world is a wonderful world for you to explore. It will bring many memorable experiences, and sharing that experience through beautiful pictures is as interesting as living in the same environment! If you are confused with diving, but want to take photos underwater, or you have taken a few times and are looking for ways to get better photos, then keep reading.
Understand the behavior of light and underwater colors. Using appropriate equipment and techniques, combined with post-production processing to achieve great results. Intentional implementation Diving and underwater photography have become more popular and accessible than ever. over. Wherever we go, we all see divers taking a variety of cameras – big or small – to bring underwater photography. For those who want to start, this job may sound daunting at first, but don’t worry – here are some words to share. Like many other things in life, underwater photography is not really about equipment … but mostly YOU – device users!
Respecting aquatic life will ensure a much more wonderful experience for both you and the fish when you are photographing underwater. Diving dive First learn to dive! Floating control is a diver’s core skill, and you need to master this skill to be able to photograph underwater. You will become more stable and can keep the body position for the photo, helping to get a better picture. Most importantly, you need to avoid stirring the sand at the bottom or harming the reef. Photo enthusiasts – It will be useful if you have a basic understanding of the concept of photography such as exposure, composition and understand how water flows to light and color. Aquatic life enthusiasts – Your knowledge of aquatic life will help you find your shooting subject and predict their behavior. Studying a little before diving will definitely help you get the picture you want! Understanding the device – First, we have to understand something that is so obvious: the underwater environment is not a place Ideal for trying out a new camera system for the first time, let’s explore the terrestrial camera! Even the most basic camera on the market comes with many interesting features. Learn the camera you have on hand and explore the capabilities of the device. You don’t want to miss a great scene just because you’re trying to figure out how to set parameters!
No matter what kind of camera you take, in addition to your camera and lens, your pocket should have the following items.
It’s always a good idea to carry a tripod all the time because it’s too cumbersome and heavy unless you know exactly what your aim will be. However, a tripod is also necessary in unexpected situations that require slow shutter speeds. Therefore, you should have a mini tripod ready to take anywhere. This product is compact, convenient and reasonably priced.
Wireless remote control
Although most cameras have built-in self-timer, the mode has many limitations. Therefore, it will be more convenient for you to bring a capture control to be fully active in conditions of image stabilization. Previous controls are usually wired, so it is quite limited in terms of distance. However, modern cameras now support wireless control. This tool enables photographers to take a selfie or hide in a hidden place and tap the remote, especially for wild photographers.
Rain cover camera
If you go for a picnic in areas or sudden rain or you intend to shoot when it rains, it is very important to bring a rain cover for the camera. If you want to use quality products, you can use waterproof bags from reputable brands. Otherwise you just need to carry a plastic bag to cover the whole camera. You can even DIY a rain cover camera simply with nylon and elastic band.
When taking an outdoor photo, you may rarely use your light or camera that already has a toad. However, you should bring an external flash. In addition to shooting in low light conditions, external flash becomes very useful in case of need to balance the light even in the middle of the day. For modern cameras with a removable flash feature, an extra lamp can significantly improve portraits when straight light does not highlight the subject.
A lens hood is an accessory often overlooked by the begginning photographer. But if you start to pay attention to more experienced photographers you will notice probaly almost all of their lenses have these big ugly things sticking out the front of them. Since the Canon 28-105 USM lens is one I often walk around with and that I use a lot, I decided to spend the money on the original Canon recommended hood. This is the hood Canon recommends for this SLR lens and is designed to work well with it.
The EW-63II lens hood is petal shaped to help block out stray sunlight. This is especially useful when shooting into bright light. Digital cameras are especially susceptable to lens flare because the CCD or CMOS sensors are highly reflective. Lens flare is not only ugly in it’s shape when it’s in a photo, it also reduces contrast and sharpness in a photo. So helping improve photo quality is one huge benefit of this little accessory.
Another great benefit is it can help protect the lens for scratches. A lot of times if your lens bumps into something it’ll hit the lens hood instead of the front glass element. I sometimes even place my lens in my bag without the cap in a rush because I know the lens hood will protect it from scratching anything in my bag.
When using this particular lens hood I find it possible to still use a Circular Polarizer at the same time. I have one of the HOYA SMC Slim ones. You have to put the hood in first and than the polarizer on second. It can be a little difficult to use, but the combination of the two is quite neccessary to achieve a photo you want sometimes. If you have large fat fingers you might have some problems with this combo and I definately wouldn’t recommend the slim model to you.
This is an excellent accessory and has helped me get some photos that would’ve otherwise been ruined. It’s well worth the small investment and should stay on your lens all the time. Even if your shooting low light it can offer additional protection to your lenses.
If your anything like me you probaly have lenses of various diameters. Some of the more common ones for Canon Lenses are 52mm, 58mm, and 72mm. Well, I spent a fair chunk of money to get a very high quality Circular polarizer in the Tiffen unit. But a couple of my favorite lenses are my Nikon 135mm, and Canon 50mm 1.8 Mk2. Both of these lenses are actually smaller than the 58mm polarizer. As well they are actually smaller than all of my filters. So you might think I had to buy another set of filters for these lenses. We’ll, your wrong!
You can actually use the 58mm filters you already purchased with these lenses. You can simple go into your local camera shop and ask for a 52mm to 58 mm step up ring. One end fits the 52 mm size of your lens, and as the name implies the other end allows 58mm filters to be screwed in. This is a great thing to have, especially for things like ND Grad filters which you may not use everyday. You can now simply by one set of high quality filters and use them on all your different lenses.
The key to any studio or even photography in general is having good control over your lighting. In that sense an on camera flash really isn’t that controllable. It is from an awkward angle, and can’t be directed. Using a studio strobe or off camera flash can be an excellent way to achieve dramatic and flattering lighting effects. I opted to try out one of the Wireless Flash Trigger’s found on eBay. Mine was sold by Photoland168, and is of the RF 4-channel type. There are some pretty nice advantages to going with this unit.
Most importantly to me was going to be cost. Pocket wizards are probably one of the best wireless flash trigger options available. There is also the new Microsync device which is very tiny. But these options are extremely expensive. The money I would need to spend on these would actually cost more than the lighting I have. In fact I could’ve easily spent more than my camera is worth. So these were not an option.
A really interesting option was actually to pick up a 2nd flash unit such as Canon’s 580EX or the Sigma Super units. These could be used on camera and act as a master to my 420EX which would than be a slave.
The only disadvantages to this option is that the master flash has to be mounted on camera thus limiting it’s usefulness, and that because it’s an infrared signal the flash units would have to have some kind of line of sight, and it wouldn’t work that well outdoors.
There are a couple of huge advantages though. First you’re getting a 2nd flash unit, and a 2nd light source. Because the flash is on camera, you would actually have full E-TTL functionality with this setup. The camera would be able to control the flash unit how it sees fit.
I choose to go with these low cost wireless flash trigger units for a few reasons. One being cost of course. At only $30 CDN it didn’t cost much at all. They provide good range. These work on a radio signal so they are not disturbed by Flash triggers like the Wein, or bright lights. They can even be used around a wall. The cost to expand the system is cheap as well. Adding more lights to the system doesn’t increase cost too much.
The biggest downfall in my situation was my 420EX. It is fully automatic flash unit. It does not have controls for power output. Therefore it is fired at full power every time when it’s not on my camera or controlled by a master unit. So the only way to control the unit is by distance and coverings over the head.
A good solution is to get some cheap Vivitar 283/285, or Sunpak flash heads. These can be manually adjusted and are very cheap. I personally think it’s an excellent way to learn about lighting.
The system consists of a radio sender unit which sits on the flash hotshoe of your camera. When you take a photo it sends out a radio signal to a receiver unit. In my case my receiver unit actually plugs into a hotshoe adapter since the 420EX also has no connections like a PC Sync. The units can be operated on 4 channels, so if you get interference you can always change. It also means you can set off different lights by co-coordinating lighting on different channels.
The range is good with my unit. It’s at least as good as the range of my 420EX. I’ve never tried it from down the street because otherwise the flash would be useless.
I have also found battery life to be good. There is no real on-off switch with these devices. I just unplug them and put them back into my bag. I plug them in when I want to shoot and it just works. The receiver is the only unit that actually requires a battery and I have yet to change mind after hundreds of shots, and a few months of use.
I would highly recommend these units for anyone who wants to start out in studio photography. It’s an excellent and cheap way to go, and the advantages of this system far outweigh any disadvantages it might have.
One tip I would suggest is to use some Velcro on the receiving unit and your flash head so you can attach the two when you are using the system. That way it doesn’t just hang down by the cord. Also don’t forget to hit the test button every few minutes otherwise the 420EX will actually shut off to save power and you will have to go manually cycle the power. I find this particularly annoying when I’m trying to setup a shot.
Having a wireless remote trigger for the shutter of your camera is extremely convenient. Instead of waiting for the 10 sec timer you can remotely trigger your camera to take a photo with this handy little device. The unit is compatable with both the Canon Digital Rebel and the Rebel XT. The range I’d say is about 15 ft, but if your using it in strong sunlight outdoors, it may be reduced some.
To use the remote control, all you have to do is set the camera up in timer mode, point the RC5 at the camera and press the button. The light on the camera flashes and takes a photo after a 2 second delay. I find this very useful when I wanna be in a portrait with the family. Instead of running like a madman into the scene, I can casually walk over and prepare myself. I also find it helps when I do product photography. I can take a photo of a product remotely, re-arrange or adjust lighting, and fire off another shot without having to go back to the camera.
This is a must have accessory for anyone doing a lot of family shooting. It can be found for about $25 CDN and I use mine all the time. The only downside is it is just a basic remote. I doesn’t have any zoom, aperature, shutter speed adjustments. The only unit that seems to be able to do this is the much more expensive Canon Wired controller.