Winning Photo of the $120,000 HIPA Prize Controversy

The fact that the photographer has set it up instead of looking for a natural moment has caused much controversy.

At the HIPA award, the winning photo of Malaysian photographer Edwin Ong Wee Kee generated mixed opinions because it was staged. According to Picsofasia, this raises the issue of “industrial” photographers capturing arranged scenes then submitting them to contests with the hope of winning and being famous.

Etienne, the founder of Picsofasia, said the beautiful photo taken in Vietnam has spread widely, but its backstage has surprised many people. During a photo tour, the group of more than 10 travel photographers gathered around the only subject – the woman and the child – shooting at almost the same angle. The woman seems to be used to posing as well.

If you learn about travel and photography, you can confirm that this is not the right way to capture people. The story is more attractive when one has submitted to HIPA and won the prize. On the contest website, the photo is described as the emotion of a Vietnamese mother with a language disorder but still optimistic to transmit strength to her son. However, after looking behind the scenes, many people quipped that perhaps it should be changed into the feeling of a Vietnamese mother when disturbed by rude people. The face of the mother evokes a real sense of discomfort.

There won’t be much discussion about the photographer’s quality and image processing skills because it’s too good. The problem lies behind that. After this award-winning work, it is likely that other people also want to travel to the northern mountains of Vietnam, looking for a poor-looking woman who is hugging the baby, shooting, blurring the background and using the work that goes to the exam.

Common photo contests are now primarily for commercial purposes instead of photography alone. It is mostly not marked by a team of judges who are really knowledgeable about travel and photography. The result is a high award that is often given to a boring moment, usually a copy of the idea of ​​the previously taken work. A professional travel photographer will know that but these competitions are not.

Rinsing and scanning 35mm film images in labs

Have you ever taken a photo film to labs to wash and wonder, how is this process going on? In this article, we will join the ‘mysterious game’, learn every step in the process of turning a film into digital images.
The film’s ‘itinerary’ starts from the lab’s photo booth, after it has spent many days in your film camera to capture the photos you feel most proud of.
The first step is to remove the end of the film from the container with a special tool. This process is not easy, as there are many movies that will bend the end of the film in the process of filming the film into the carrying case. At this time, the inner films are still very light-sensitive, so the washing engineers will have to be careful not to take them out, and use a device called ‘mobile darkroom‘.
The film will then be inserted into the cutter to cut the end of the film into a rectangle.
After being cut, the film is glued to a special adhesive tape, which will not melt during the washing process. Normally, there will be 2 sheets of film with adhesive tape on both sides to ensure the film does not fall off during washing. The tape also has small holes to be able to hook the gyroscope to film through the coating machine in the following steps.


One of the most important thing is not to make customers’ films mistaken for each other, so engineers will add a small sticker with a separate serial number, making it easier to pay the film.
And now the film is ready for washing.
The engineer will put the face with the tape of the film on the machine, need to put the hand under the film so that they do not fall to the floor. When the film has entered the machine, we will close the cover to make sure there is no light inside.
One of the worst things that can happen during the film washing process is power outage. If the power goes out, the film will be clogged inside the machine, between chemical tanks, and we will have to manually open the phone to get them out. The Fujifilm machine that we use today has a manual film roll mechanism, so during the power wash process, the engineers can take the film safely.
Before the opening day, labs will perform a color calibration step for the device. They will print a film to test, then use a density meter to measure the color to see if it is correct, otherwise it will have to be calibrated.

Let’s experiment with underwater photography style

Take time to observe the behavior and don’t chase your subject. Patience will be rewarded. The underwater world is a wonderful world for you to explore. It will bring many memorable experiences, and sharing that experience through beautiful pictures is as interesting as living in the same environment! If you are confused with diving, but want to take photos underwater, or you have taken a few times and are looking for ways to get better photos, then keep reading.

Understand the behavior of light and underwater colors. Using appropriate equipment and techniques, combined with post-production processing to achieve great results. Intentional implementation Diving and underwater photography have become more popular and accessible than ever. over. Wherever we go, we all see divers taking a variety of cameras – big or small – to bring underwater photography. For those who want to start, this job may sound daunting at first, but don’t worry – here are some words to share. Like many other things in life, underwater photography is not really about equipment … but mostly YOU – device users!

Respecting aquatic life will ensure a much more wonderful experience for both you and the fish when you are photographing underwater. Diving dive First learn to dive! Floating control is a diver’s core skill, and you need to master this skill to be able to photograph underwater. You will become more stable and can keep the body position for the photo, helping to get a better picture. Most importantly, you need to avoid stirring the sand at the bottom or harming the reef. Photo enthusiasts – It will be useful if you have a basic understanding of the concept of photography such as exposure, composition and understand how water flows to light and color. Aquatic life enthusiasts – Your knowledge of aquatic life will help you find your shooting subject and predict their behavior. Studying a little before diving will definitely help you get the picture you want! Understanding the device – First, we have to understand something that is so obvious: the underwater environment is not a place Ideal for trying out a new camera system for the first time, let’s explore the terrestrial camera! Even the most basic camera on the market comes with many interesting features. Learn the camera you have on hand and explore the capabilities of the device. You don’t want to miss a great scene just because you’re trying to figure out how to set parameters!

Working at World Cup, which tools are the most popular?

If you watch a football game on TV, you can see a lot of photojournalists with big, long cameras and lenses along the borders. Do you know what the photojournalist’s tools include?

First, definitely can’t lack a camera. For sports photos, high resolution is often not preferred by shooting speed and durability, so photo reporters often use the most expensive cameras like the Canon EOS-1D or Nikon Dx series.

These cameras are designed to withstand extreme weather such as rain, snow or dust. The casing material is usually made of magnesium alloy to ensure its rigidity and strength, but still not too heavy. These are the points that photographers accept to spend over $ 5,000 for a camera.

Although the resolution is usually only around 20 MP, these cameras are equipped with full-frame sensors. Large sensor sizes provide better light reception, which is essential when speeding up shooting to freeze moments.

Large sensors also help reduce noise, which is essential when shooting evening matches. The top-of-the-line cameras are all equipped with the most modern focusing system, which helps to accurately focus in very short moments.

Besides the main camera, most photographers carry a high resolution sub-camera for the necessary situations. The Canon EOS 5D Mark IV (30.4 MP) and the Nikon D850 (45.4 MP) were all launched in 2017, and selected by many reporters.

Although Canon and Nikon dominate the sports village, the Sony Alpha A9 is gradually gaining popularity thanks to the speed of focus, quick shooting and smooth shutter. However, Sony cameras do not yet have many long-focus lenses for sports photos.

To capture the player clearly at a distance of tens of meters, reporters had to use a 400 mm focal length lens. The investment for the lens is sometimes double that of the camera: Canon EF 400mm f / 2.8L IS USM II or Nikon AF-S 400mm f / 2.8E FL ED VR are all priced at over $ 10,000.


With long focal lengths and large apertures, these lenses allow shooting at very high shutter speeds. If you need to enlarge the image further, the reporter can add a 1.4x or 2x tube.

Sony also had the first sports pipe, the FE 400mm f / 2.8 GM OSS, but the company just announced this lens at the end of June. So no reporter will bring Sony’s new lens to the World Cup. .

In addition to a 400 mm lens, reporters also often equip 70-200 mm f / 2.8 on a secondary camera, to take close-up developments. Sometimes they even use lenses with short focal lengths like 16-35 mm or 14-24 mm. Wide-angle lenses help capture the whole scene of the stadium, or use it at the end of the match when the reporter can enter the field, approaching the player to take a picture.

In addition to cameras and lenses, reporters also carry a variety of accessories. The most recognizable accessory is the tripod. The monopod is more mobile, but the three-legged type is more rugged and is often used when placing a remote camera.
Flash is also a must-have accessory. Although it cannot be used when shooting far away, there will be times when journalists will enter the field, taking players at close range.

For those who use multiple cameras, remote shooting controls are indispensable accessories. They can pre-set the device in beautiful places, like behind the goal, and press capture from the other side of the stadium when there are beautiful moments. High-end controllers cost over $ 100, but allow for use up to 500 meters away.

Instax mini 8 Camera Under Girls Perspective

Instax mini 8 camera belongs to Fujifilm’s famous camera series right away – the manufacturer from Japan has brought many interesting experiences for users by using simple machine operation or photo printing feature in 2 seconds.

The appearance of the Instax mini 8 looks like a pink cotton candy, capturing girls right from the first encounter. If you’re wondering about a girlfriend’s gift of “forest” on holidays, maybe this Instax mini 8 will help the men score absolute marks for you.

Let’s see how the girl evaluates an Instax mini 8 – this “witch” takes this picture!

Advantages – disadvantages of Instax mini 8
It can be said that Instax mini 8 was born for lazy people. All basic photography manipulations such as lightening, focusing, etc. are not necessary for this machine. Just hold up the camera, press the shutter button and wait for about 2 seconds, you have a beautiful photo to keep your memories. It sounds very convenient because it is really convenient to capture … but to bring it back is somewhat ambiguous. Girls often wear small cross-bags when going out just to fit their wallet and phone. If you bring mini 8 Instax, you need a bigger bag. As for boys, it is more inconvenient because the guys cannot put a mini-sized camera into their pants pocket.
Image quality

A nice thing about Instax mini 8 is that the flash mode is always in the ready state. Whether you shoot outdoors where there is enough light or in a dark room, the flash still works normally to accentuate the face to the maximum. Of course not so that the photos have the same quality.Shooting where the lighting conditions are good will print photos with better quality than those with low light conditions.
The slightly haunted retro color image is also an interesting point of Instax mini 8. The color of the image brings a sense of nostalgia to the users, but not any photo editing software on smartphones. Therefore, keeping these photos has its own good, but not any photos posted on facebook can bring about similar feelings.
Instax mini 8 supports users to the utmost to produce beautiful photos even if you forget to adjust the appropriate modes.

4 Cameras for Beginners

Photography is no longer a luxury hobby, it is too difficult to approach as before. Camera manufacturers have been introducing many product lines at affordable prices but still have enough basic features to bring a beautiful image to users.

According to statistics from Explorecams, which specializes in camera market research, in 2016, there were more than 6 million photos uploaded to photo social networks: 500px, Pixaby and Flickr. Among them, most photos were taken from specialized and semi-specialized cameras that could replace lenses from manufacturers: Nikon, Canon, Sony and Fujifilm.

1. Canon EOS 750D
Canon EOS 750D is a DSLR belonging to the Entry level line aimed at the first time user, and long-term orientation with mechanical camera. It is equipped with APS-C sensor with resolution up to 24.2 MP. Capturing subject will become easier, users do not encounter too many difficulties in getting familiar with the device and can practice quickly.

2. Sony A6000
If you are afraid to carry DSLRs, Sony’s mirroless camera is the best choice, specifically the A6000 model.

Sony A6000 owns the 24.3MP APS-C Exmor APS HD CMOS Sensor and the powerful BIONZ X image processor for the sharpest and truest images. Ownership machines to 179 autofocus points almost cover the entire image surface, so capturing subjects is extremely easy even when shooting in unfavorable conditions such as moving and quick action.

Basically, new users can start with the 16-50mm f / 3.5-5.6 OSS Kit which is quite easy to use and multi-use.

3. Fujifilm XA -3
Fujifilm XA-3 is a compact, stylish mirrorless camera aimed at new users taking photos, especially women.

Fujifilm XA-3 also features a touch-screen Live View screen that can be reversed 180 degrees, making it easy for users to get sharp “selfie” photos but simple operation like on smartphones!

4. Nikon D5600
Nikon has launched D5600 towards simplicity but still full of trendy features to revive the traditional DSLR line.
Convenient for shooting and choosing the desired focal length at a cost not too high.

5 Ways To Create A Professional Photos

It is difficult to guide how to create professional photos as this usually requires years of practice. However, if you apply some of the instructions in this article even though you are newly started. You will also find some ways to improve your products without much effort.

1. INSIDE THE BEAUTIFUL BEAUTY
Light is first mentioned because many beginners with photography do not care about light sources, as opposed to professional photographers, who are almost obsessed with the element. Therefore, light is the most important thing to make a professional photograph.
So how does light become so interesting? First of all, it will be far from what the naked eye sees. Second, light highlights the subject and expresses the subject in the best possible way.
There are many ways to create a light portrait that appeals to the viewer. Simply place the model in the shade, or in the dark, and use the light source on the face. It is also a good way to get back to the shadows, when dark areas will not shine on the face of the sample.
On outdoor shooting, the time of day is something you have to keep in mind. 95% of my portfolio’s outdoor shots were taken at dawn or dusk, dark. And as stated earlier, newcomers do not choose by the time of day, they often shoot at light like noon. The above are extremely practical and useful tips.

2. SUPERIORITY
There are many factors that affect the sharpness of the image, so when a picture is missing sharpness it is difficult to find the cause. But I found out after thousands of training of practitioners, the main reason lies in the wrong focus.
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3. THINKING LIGHT
Exposure means the brightness or darkness of a photograph. This is the first lesson that all photographers must learn.
Digital cameras work very well at neutral exposure, but the fact that exposure at this level is not the best. For example, supposed you are portraying someone for a sunny day. The camera will darken the face and brighten the scene. Neutral exposure here is the mid-section for the face and the scene.
But with the mind of a photographer, you know that the face is more important than the scene, so you have to exposing the light to the face and keep the scene bright. Make your photos real, not a neutral image.

4. KEY FEATURES
Emotion is a detail or forgotten, but personally I find that, that is the key to the success of a visual work. Before you press, you should ask yourself “What image will convey to viewers?”
By asking yourself this question, you will not make the mistake of portraying someone with emptiness. You will realize that the expressiveness of the sample will not contain emotions and you must change. And that also happens when shooting scenes. Look at the picture of a bird in front of the sunset and you will find that too much exposure will not bring a peaceful feeling to the viewer.

5. DIGITAL DESIGN
Digital style is the application of some functions of Photoshop and Lightroom that allows photographers to fine-tune color, contrast and exposure for their products.

Black and White Photography

If there are one art form that is difficult to master it is that of black and white photography, it is surprisingly tricky, it takes both effort and time to perfect, yet the results are amazing once it is mastered. Some black and white photographers succeed other miserably fail and, in most cases, it is due to several critical elements that could be utilised to ensure black and white photographs works.

Black and White Photography Remains Master of All


The history of black and white photography is as long as that of photography itself, as the first colour images were only captured around the year 1861, although by then monochrome photography was already in existence for around thirty-five years or so. At this time colour was so to speak a new invention, the new kid on the block, but still, it did not replace the black and white art of photography in any way.

Colour in Photography is a Destruction

Many viewed the new invention in colour photography as a distraction, in photography it was often seen as lifeless and dull, which was quite the opposite of what one would think. Yet when it comes to the main task of a photographer, it is to simplify the image, refining the scene in the photograph down to its bare essence and it is in this that colour-photography at times falls short as the essence is colourless.

Wisdom by Ansel Adams

In discussing the variances between the two types of photography, including black and white and colour photography, it was said Ansel Adams that he can get a much greater sense of colour through a well-executed and well planned black and white image than he could ever hope to achieve via colour photography.

In modern times and referring to photography in today’s world most or almost all photographs are taken in colour, and when we thought back to the words of Adams, perhaps we all have lost the imagination and beauty that what Ansel Adams want to convey via photography.

A Great Black and White Photograph Period


There is no rescue for an image in black and white that is disastrous. There is no use in slapping a Noir filer on a bad photograph. A great black and white start with a great photograph, it is a photograph taken with reason. What makes a massive difference is also the camera and lens used, yet some see monochrome as black and white, this is the first thing you have to get right, a black and white photo have no colour, they are black, white and grey.

Taking fantastic black and whites not solely depend on the equipment used, in most cases the camera you have are what you need, it is the focus and the decision of what to shoot that makes the biggest difference. Obviously, monochrome-only cameras provide a cleaner and sharper black and white image than that of a camera that takes colour photographs, but until you get your technique perfect the camera is not what would make the difference.