Top Photography Tips You Need to Master (part 2)

Don’t Use the Pop-Up Flash

Don’t use the pop-up flash since the light that is emitted from the pop-up flash on your camera is intense, harsh, bright, and unnatural.

If you are in a situation with dim lighting, choose another avenue of getting a well-exposed photo. The easiest thing to do may be to increase the ISO because ISO can control the sensitivity of the sensor of your camera to light. Therefore, the higher the ISO is, the more sensitive the camera’s sensor will be.

If you are taking photos at ISO 400 and they are too dark, increase to ISO 800, 1600, 3200, and so on. You will hear an increase in digital noise when you increase the ISO, but a little noise is just a small price to pay for a better exposure.

Another choice is to open the aperture so that the camera’s lens can get more of light. The aperture is the set of blades inside the camera’s lens and its size is measured in f-stops. The f-stop scale features very large apertures such as f/1.4 to a very small apertures such as f/22.

If you are shooting in low light, open up the aperture in order to brighten up the photo.

Of the three exposure settings, including shutter speed, aperture, and ISO, perhaps shutter speed offers the most possibilities regarding creative images. The reason is that you can blur movement with a slow shutter speed or freeze movement with a fast shutter speed.

As slowing the shutter speed, you have all types of options to create a sense of movement in the shot. You can blur the movement of a person when they are walking, running, or dancing, create photos with light trails from passing vehicles, or even shoot photos of the night sky with exaggerated star trails.

All you need is a slow shutter speed, a moving subject, and your camera mounted to a tripod!

Powerful images perfectly illustrate rise of Women’s Sport

From the viral pride of UCLA Bruins gymnast Katelyn Ohashi in the course of her ideal 10 floor ordinary, to the tears of Katarina Johnson-Thompson as she stared at her file breaking scoreboard, or Megan Rapinoe, palms outstretched in possibly the pose of the 12 months, it’s been a good 12 months for effective image of sportswomen.

“We’re seeing the parity among men’s sport and girls’s sports being much less obvious,” says Getty images’ head of innovative insights Dr Rebecca Swift. “If you take the Women’s World Cup for example, we’re seeing moments captured that we commonly had visible in the guys’s sport, the very dynamic and a sense of motion and ability that you just expect from high-quality sports images.

“Similarly to that, we noticed moments of camaraderie and friendship and togetherness, which I don’t suppose we’ve visible so much within the past and we don’t see in guys’s sports activities as a great deal.”

Rapid’s crew have been tracking the changes in the way ladies are represented in sports pictures since the Rio Olympics in 2016. “The most iconic moments from the last Olympics were ladies helping each different and that type of experience of coming together which could be very appealing to a woman target audience,” Swift reflects. “There was a flow from taking snap shots of girls to make them appearance lovely and make look glamorous and to truely consciousness on how they look, to focusing on on their power and skill and all of the attempt that is going into them at that stage.”

The upward thrust of movements for abortion rights, Open Stadiums in Iran and the USWNT combat for same pay – now not to say like MeToo – have helped accelerate the tempo of trade. in which layers of society are reflecting on the position of ladies and how they may be dealt with and represented, so too is the enterprise which visually documents the workings of society.

“What’s going on throughout all imagery, in advertising and marketing, in style, in other sort of media spaces, is this diversification of what beauty is, a diversification of what’s appealing,” says quick. “Ladies’s game was visible as unattractive. Ladies’s rugby players have been seen as unfeminine, and so there was this natural aversion to that specialize in them as athletes.

“I assume back to my childhood, or even in my 20s, the players that you noticed loads of have been the leggy, blonde, ponytailed tennis gamers. Then we had humans like Tessa Sanderson coming thru, who become usually criticised for being too manly, and it’s handiest extra lately that we admire athletes our bodies are the form they may be due to the paintings that they installed.

Color Theory In Photography

One of the most fundamental issues of Photography and Painting is the color and the combination of colors. The difference is that, while the artist can freely create his own color, the photographer can only choose the colors available to include in the image.

A painter can master color by blending colors, he has a certain taste in color and an unlimited number of tones. In photography, colors existed before we took the shot. What we can record on the film/sensor is the debris separated from the total color of nature. The number of colors is infinite in nature, but photography cannot mix them and create new colors like a painting.

The concept of primary colors (the primary colors to create other colors) has a long history and often starts with the pure pigments found in nature. Up to now, it has been unified in two different systems, the direct light system has three basic colors: Red-Blue-Green and the reflected light system has 3 other basic colors: Red-Yellow-Blue.

Saturation: The primary colors are completely saturated then it gives maximum color intensity. In fact, in life, colors are rarely completely saturated. Therefore, the primary colors are always used as the focus of a picture if we find them in nature. In practice one can reduce the saturation of a color by adding white, black, gray or an additional color. In fact, it is rare to find completely saturated colors in nature, apart from the flowers and some animal pigments, even the unsaturated blue sky as we perceive it.

Luminate: The maximum light intensity depends on the color. Yellow is the lightest and darkest purple. Brightness makes colors light up or darken. White and black are 2 extremes. The intensity of light in photography depends on the exposure). By changing it, you will get different color effects.

Color of the objects: The things around us have no color. When light waves hit an object, it depends on the properties of the material to have different effects. Light waves can be absorbed or reflected by objects (depending on their composition).

Top photography shows of 2019

  1. Les Rencontres d’Arles
    In the 1970s and 80s, self-taught Czech photographer Libuše Jarcovjáková relentlessly chronicled her wild existence at some point of a time of political repression. The results, shot in edgy monochrome, were one of the revelations of this 12 months’s Arles’ photograph competition. However there may be some thing energetic, even joyful, in her laying bare of her very own reckless lifestyles. frequently, she is her very own concern, the captions a form of defiantly nihilist manifesto: “I understand not anything and don’t care. existence is pelting alongside too speedy to apprehend. I’m not often sober.” some place else, she shot at the nocturnal streets and in dive bars, parties and scuzzy bedrooms, shooting the long nights and hungover days of a repressive, and for this reason doggedly dissolute, time in her place of birth. Uncompromising and grittily poetic, Evokativ took me through complete marvel and stayed with me for days afterwards.

2. Cindy Sherman
National Portrait Gallery, London
A long late British retrospective confirmed the whole range of Sherman’s paintings, from the long-lasting early collection Untitled film Stills (1977-eighty) to the more elaborately built sex pix, which nevertheless surprise in terms in their sheer grotesquery. She is a conceptual shapeshifter, whose one tremendous idea – turning the camera on her converted self so as to exaggerate and remove darkness from myriad lady archetypes .

3. Dave Heath: Dialogues With Solitude
The Photographers’ Gallery, London
For all their quiet stillness, Dave Heath’s snap shots own an intensity that is through turns melancholic and unsettling. In that maximum exuberant of many years, the 60s, Heath emerged almost unseen as a grasp of solitude and introspection. His pix, as this deftly-curated exhibition highlighted, instil a thoughtful silence in the area around them. An illuminating survey of a quiet American photographer who become a grasp of mood and series.

How to Capture Perfect Close-ups of Competitive Athletes

Sports photography is more than just capturing action and atmosphere. There is also a very human element whether it is the beauty of the human form or an expression of emotions that are not hidden in a decisive moment. Here are some tips on how to show these when the athletes are competing.

Step 1: Choose a super telephoto lens

Super telephoto lenses are perfect for drawing attention to a specific part of an athlete. For example, try using a 400mm super telephoto prime lens, the EF400mm f / 2.8L IS II USM, which allows for close-up shots of the athlete’s arms and head only. Photographers prefer to use a prime lens rather than a zoom lens when taking such close-ups: This eliminates the temptation of zooming out and uses a wider angle to capture the whole body, especially when using a super zoom lens that covers a very wide range of angles from wide-angle to telephoto.

When taking sports photos, you need to move and react to the needs of the moment. Choose a low-weight lens that brings the mobility a photographer needs. Shallow depth of field helps make the main subject stand out.

Step 2: Make sure the background is as dark and simple as possible

In sports photography, it is possible to accidentally have a large video playing screen at the back, which brings a dark background. The narrow viewing angle of the lens eliminates additional distractions and simplifies the background to only the most essential elements. Such simplicity helps focus the viewer’s attention on the subject of the photo: the athlete’s impressive body shape.

Step 3: A bit underexposed for studio effect

To further improve the image, expose the shutter speed to about 1 stop from the correct exposure. This will make the background darker, which creates a feeling as if it were studio shots. Also, you can focus on shooting the athlete’s feelings or sweat, tears, etc.

Sports Photography: The Contrast Between Static and Dynamic

Sports photography is not as easy as many people think. For 1: 1 fighting sports, such as fencing, you often want your photos to portray the excitement of the match. In this article, let’s look at how we can do this effectively by using panning techniques to show athletes’ stillness and movement in a single image.

In fencing, it only takes a fraction of a second to determine who wins or loses. Photographers must all want to depict the second in which one athlete is moving and the other is standing still in a single image. When both subjects are moving, to capture both stillness and movement at the same time, your shutter speed should not be too high but not too low.

You need to avoid having both objects become blurred, but I also can’t let both objects “freeze”. Although this may vary depending on the speed of movement of the subject, you may want to change the shutter speed based on their movement speed.

In this case, try to create motion blur from the moving swordsman using a shutter speed of 1/10 second, while swordsmen with smaller movements can be captured clearly at a speed. shutter about 1/2 second.

Another trick is to use the panning technique when shooting. When panning, focus on the standing athlete, instead of tracking the athlete with more movement. Because the standing athlete may still move a bit, the panning must predict and track the athlete’s small movements. In doing so, the athlete who has more movement in the opposite direction of your panning movement will produce a more blurry effect while you focus will still be the athlete standing still.

It is actually possible to find a certain charm in speed and movement in that single swordfight moment. However, there was another way to capture the moment in which the two swordsmen were rivals. It is freezing the entire action with a high shutter speed. Shoot at 1 / 2,000 second. Focus first on one of the swordsmen, then release the shutter when ready.

Creativity in Photography: The Difficulty of Photographers (Part 1)

Photography is one of 9 arts: Literature, Theater, Film, Music, Folk Arts, Fine Arts, Architecture, Photography and Dance. Any artistic creation is not simple, on the contrary it is full of misery and loneliness. However, any creative artist who is passionate will be happy and proud.

Creativity is infinite and endless. With the art of photography, perhaps there are common characteristics.

A photographer holding a camera in his hand is ready to capture everything that his eyes see, perceptively, the way of thinking of each person. Reasoning means that the subject, the character, the object, the problem that the person holding the device towards.

Life is a constant movement and always changing. The movement of life is also in various forms. Therefore, from the invention of the method of recording images to the completion of the camera (1839), humans have acquired everything, all happenings of life, people, nature, etc.

However, artistic photography is the choice and enhancement of the images that people capture through the lens of a camera. The most important and special aspect of photography is: the art of photography. That is when people have conveyed into the image their thoughts and feelings according to artistic and aesthetic conventions.

The choice of WHAT to take is important to creating an image that has begun to have an artistic element. This makes the difference between professional photographers and ordinary photographers. However, the road to art is still far and requires many other factors. From choice, which is the beginning of discovery, discovery, photographers need unique techniques and ideas.

So, shooting what is always an unpredictable unknown for photographers. Something must say something! Something must be condensed, crystallizing the entire mindset, feeling of the photographer.

Life is all about what constitutes as nature, landscape, urban, village, people, animals, plants, etc. However, if he does not exploit the beauty and depth of life, it means he only stops at the level of beautiful copying only.

10 compact cameras are popular with travelers

Techradar website recommends top-class compact machines for those who like to move with the common point of being a compact body, good configuration.
Panasonic Lumix ZS50 has the same shape as its predecessor ZS40, the improved handle design to increase handling comfort. The front is a Leica DC Vario-Elmar lens for 30x optical zoom. The sensor in the device is 1 / 2.3 inch High Sensitivity MOS, the resolution is 12.1 “dots”.
This is said to be basic equipment but suitable for users’ travel photography needs, thanks to which the device costs just over 5 million. Users can easily order genuine products from Amazon through e-commerce platform cross-border Fado.
Canon PowerShot SX730 HS comes with many outstanding features for the needs of landscape photography to selfie like 20.3 megapixel CMOS sensor, 40x optical zoom lens, 180-degree rotating screen and skin smoothing feature when self portrait photography.

Sony Cyber-shot HX99 was launched at IFA 2018, carrying a Zeiss Vario-Sonnar T lens with a large magnification, focal length from 24-720mm. According to Sony, this is the world’s most compact camera capable of far zoom, 4K movie recording, bluetooth support.

It also has a touch screen, touch focus, and Ring Control ring at the lens mount to assign commonly used features such as manual focus or step zoom.

Panasonic Lumix ZS100 launched in 2016. At the time of launch, the tablet is the top position for travel photography needs with 1-inch image sensor, 10x zoom lens that changes the focal length from 25-250mm, the original aperture f / 2.8. The lightweight body is suitable for holding 4K video clips

The Nikon A1000 has just been launched in January 2019. The camera has a stylish, modern design, equipped with an electronic viewfinder that supports up to 35x optical zoom, equivalent to a focal range of 24-840mm, up to 1,680mm when Dynamic Fine Zoom is enabled.

Panasonic Lumix ZS200 compact thanks to integrated 1 inch image sensor inside. The device still meets the needs of the tourist with a beautiful, compact design. The Leica Vario-Elmar 24-360mm focal length lens allows users to create photos of a wide range of genres during the journey.

Sony RX100 III belongs to the high-end compact camera series of Sony’s highly successful RX series since 2012. The device weighs only 290g, the body is compact but the texture is still solid, so it is suitable for carrying on every journey of discovery. The highlight of the RX100 III is the EVF OLED electronic viewfinder, 20.1-megapixel sensor, f / 1.8-2.8 aperture for high-detail images.

The Sony RX100 IV is a worthwhile upgrade of the RX100 III. The built-in Exmor RS stack sensor helps the machine accelerate significantly, electronic shutter reaches a speed of 1 / 32,000 seconds. Especially, it can record high-quality 4K movies for up to 5 minutes and high-speed movie shooting of 250-1,000 frames per second.

The moment the photographer gets lost among the sharks

Cristina was scared as the sharks swam around her, worried that they might get lost in the ocean in the Galapagos Islands.

Cristina Mittermeier, from Mexico, is a marine biologist who has spent more than 20 years taking photos of the ocean world. Cristina now has more than 1.1 million followers on Instagram, where she shares her travels from Greenland to Rwanda.

On the nearest trip to the Galapagos Islands (Ecuador), Cristina was overwhelmed by the wildlife here. “The Galapagos Islands have been an oceanographic reserve since 1998, everything is there naturally. While in other places, we have to work very hard to find fish or sea turtles.” she said.

Cristina and her boyfriend, photographer Paul Nicklen, want to dive around Wolf and Darwin, the two most remote islands of the Galapagos and as small as two grains of sand in the ocean. The waters here are quite dangerous for diving, with large waves.

The day Cristina and Paul went scuba diving, the sea was raging with waves crashing onto the rocky shore, the water bubbling white as if they were swimming in a milk tank. While swimming, Cristina suddenly turned around and saw a flock of cobia coming with open mouths. She decided to swim backwards to take pictures, but got lost among the hundreds of fish and could not find Paul when she escaped there. Cristina heard the diving instructor’s bell, but could not see anything.

With half her oxygen, Cristina decided to continue swimming. While floating, she caught a glimpse of something but was unsure whether it was a fish or not. The shapes became clearer, and she realized it was a group of hammerhead sharks.

“To be honest, I was a bit scared but thought that I was at the right place, at the right time and something wonderful was about to happen. But I was worried about how much oxygen was left, the protection cord attached to my body was still there.” How long is it, “she said.

It was also the moment that Cristina remembered that she was a photographer, and could not upload low-quality pictures with explanations. She quickly adjusted her shooting parameters and clicked the camera before the sharks swam away.

Despite owning many critically acclaimed works, Cristina herself has never set a goal of becoming a wildlife photographer, or even won award-winning masterpieces. But when a few selfies were on display at an exhibition of the Houston Museum of Natural History, Cristina began to see her own path alongside marine research.

Looking at the reaction of the visitors, she realized that not everyone has enough knowledge of science or biology like experts to discuss difficult topics. But everyone has with them photographic equipment, which makes it easier to start a story. That is why she decided to save images of the natural world on her wild adventures.

 

Cristina thinks the most essential skill for her job is to be able to operate comfortably underwater, as she is not allowed to drown or get lost at sea. Once you put your eye on the viewfinder, like when you take a picture of a herring, the photographer can completely forget where you are or what you do. In Cristina’s case, just a minute after taking the picture, she lost her companion.

“Underwater photography requires a lot of work on the camera: you have to think about exposure, natural light, strobe lights; and also pay attention to how not to get sunken. So you have to into a good diver before holding the device underwater, “says Cristina. She claimed she did not need too modern machines to take an artistic photo. You just need to understand and make the most of the tools available at hand.

Do Not Blame Your Camera If You Are Not Happy With Your Photos

Pay attention to upgrading your photography skills and accessories rather than life the camera if the photos you take are not satisfactory.

There is a constant thought in the minds of new photographers that the price of the camera determines the quality of the photos. The quality mentioned here is aesthetic, not resolution or pixels. In fact, a masterpiece photo can come from a common camera and vice versa, the poor craftsman still shoots the bad shots if there is a genuine camera. Nice photos or not due to people shooting more than the quality of the device.

Many people when buying a computer often ask questions to friends, or experts that the camera is good enough. Maybe in some cases it does not accomplish what you want but basically, no bad cameras were born in this day and age. Even the most popular camera can do all your needs well, even abundantly with features that are never needed.

For many people, the kit lens is like a throw-away product. They exist simply to help the initial use of the user more convenient. Of course, the lens kit has its drawbacks – mainly in aperture and focal range but it can be used in a versatile way. At the very least, don’t sell it as soon as you turn on the device or blame it because the photos are not yours.

Photography is a long-term learning process. Therefore, instead of thinking about spending a lot of money on high-end cameras to take better photos, you should find a suitable computer and spend the remaining money to buy what works for the process. Develop your photography skills.

Accessories like tripod, removable battery, camera bag, filters, some books are something you should have on hand. If you’re not happy with your photo, it’s not a camera error. The beautiful pictures only come when you have the aptitude and skills that are forged through the long-term accumulation process instead of upgrading the camera.